By PJ Heath
Jeff Buckley’s 1994 album “Grace,” is nothing short of a passionate, gut-wrenchingly beautiful work of art. I had never heard of this album, or of Buckley in general, until a classmate of mine, Jack Anderson, recommended it. I trusted Jack since he is a co-host of TROY Public Radio’s “Mad Melodies” podcast, and this album did not disappoint.
The album itself is nearly an hour long, but it is so worth it. There are several intricate layers and genres that Buckley covers; from classic rock to alternative rock to folk music, he exquisitely executes each song and pours his soul into every syllable.
The album originally did not receive the positive reviews Buckley had expected, but after his death the album accumulated more fame and listens. Sadly, this is the case for many artists - celebration only after death.
While some listeners disliked his lack of conciseness, his inconsistencies are what make him so unique and a hidden gem. Buckley had a gift and the ability to cover an extensive range of musical elements that many artists do not have.
In short, none of the songs on this album sound even remotely the same.
My personal favorite on this album is Buckley’s song and reading of Nina Simone's "Lilac Wine" which was transformed from a somber melody into divine, otherworldly experience. This song is so personal and relatable for many young adults attempting to find their meaning and purpose in the world.
Another standout song on this album is the creative remodeling of English composer Benjamin Britten's "Corpus Christi Carol" into a tranquil lullaby sung by Buckley.
This piece has such interesting lyrics and vocals because of just how old the original song is - written back in 1504. It takes some serious skills to be able to render a song as old as the original into a sublime, quintessential song.
I am so glad this buried treasure of an album was suggested to me, and I would absolutely recommend this album for anyone who enjoys rock and alternative music.
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